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The transformation of Linda Hamilton
From: Prevue Magazine
Date: October, 1991
By: Joe Gillis
"If I hadn't trained so hard, I would not have survived this picture! For months before and during
the shoot, I worked like a dog to reshape my body, and acquire strength and stamina. Now it's become
a way of life. I don't think I'll ever be able to let go. I'm an addict!"
Linda Hamilton may be an addict, but her habit requires no cure. Terminator 2: Judgment Day
has transformed the 34-year-old performer from soft-shaped sweetheart to an ironwilled hardbody - on
screen and off. The metamorphosis could not be more perfectly timed: the current crop of female
firepower (Thelma & Louise, V.I. Warshawski, Alien 3) suggests that the '90s Hollywood may be
swapping cuddlesome helpmates for cunning heroines.
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Peared in Salisbury, Maryland, with an identical twin sister and a younger brother, Hamilton
discovered acting through hometown stage groups and eventually attended Lee Strasberg's Theatre
Institute, after a two-year stint at Washington College. Finding her pay-check debut with nine-line
bit on the soap Search for Tomorrow she followed with the short-lived cathode series Secrets of
Midland Heights and King's Crossing, which led to small-screen flicks and then The Terminator.
Prevue hunted down the 5'5", 112-pound warrior following one of her all-morning workouts. A resident
of Santa Monica, she lives with Dalton, her two-year-old son by ex-husband Bruce (Re-Animator) Abbott.
"My child has a part in T2, the playground scene which required him to explode. Of course, it was only
a dummy but the scene was still very upsetting - more for me than him", she jokes.
As the conversation begins, she takes a long drag from the first of many Camels. Without makeup, and
dressed entirely in black - a sleek jacket, semi-revealing blouse, strech pants, and mid-calf lace
boots - Hamilton frequently tosses her shoulder-length blonde tresses off her face. Her soft, almost
sad, aqua eyes contrast sharply with her tense, toned, T2 physique.
Seven years separate the original and the sequel. What's changed?
"Lots. When we started the sequel, I deliberately did not watch The Terminator, because I wanted to
give Sarah a new history and memory. But toward the shoot's end, I did see the original and, for the
first time, I didn't like my work in the picture. I kept thinking, "Look at her. She's weak, and her
voice squeals. She's mincemeat!" It wasn't interesting because now I'm playing a deeper, more powerful
and troubled character."
Certainly more muscular. How did you make the physical transformation from timid victim to militant
victor?
"For almost a year, I ran, lifted weights, trampolined, aerobicized, and bicycled - three hours a day,
six days a week. In the past I'd spent months at health clubs, but the training was never this focused.
Now I'm stronger, I survive on four hours of sleep a night, and I'm much more confident. Still, there
were drawbacks. I got bigger than I wanted, a bit unfeminine. My legs got so muscular, I couldn't wear
my old pants. Lately, my workouts have become more moderate; I think of them as a kind of meditation."
If that's the case, then why have you been smoking for the last five minutes?
"Early in preproduction, I considered quitting, but I soon noticed that I was doing six-mile runs
without getting winded. So I said, "Gee, I guess I don't have to stop." But yeah, I should."
Despite the cigarrettes, you also survived military training under Israeli ex-commando Uzi Gal.
Focusing on automatic weapons and judo, those sessions combined with the fitness work totaled about
six hours a day.
"Because I don't believe in guns or killing, the commando work was unnerving at first. I had to try very
hard to strip away the emotional stuff and adopt a military mindset. There's something to be said for
addressing that place within you. After all, if you get mad at your gun when it jams in combat, you'll
die; you've got to clear the weapon and keep looking for your target. I admit that T2 walks a fine line
between glamorizing and condemning killing, and that most people will see the film because of the
violence. Hopefully, they'll also come away with a bit of the film's antiwar message: T2 is basically
a violent film about peace. It's also very timely, a reflection of our world. The Gulf War was happening
while I was training, wearing a SWAT uniform, and shooting guns on a range. Women are certainly not the
equals of men in strength, but pound for pound, inch for inch, we can be just as effective fighters.
Women should be allowed to do what they want and if that means going to battle, then fine. Personally,
I don't believe in war."
For a peacenik, you put up a hell of a fight, performing many of your own stunts.
I had no choice! I've had great stunt doubles for years, but with my shoulders and arms so much leaner
and stronger now, I was reluctant to give up screen time. I was like, "No, thank you. I'll do it myself:"
Luckily, director James Cameron didn't argue; he lets everybody live as dangeroulsy as they want."
How dangerous did it get for you?
Getting shot at. Squibs [fx devices to simulate bullet hits] take two hours to set up, and I just
couldn't keep track of what was actually supposed to be happening. I got so glassy-eyed and confused
that I couldn't do two things in a row by the end of the day. I wound up bobbing like a chicken, just
losing it completely. Now I know what it's like to be shell-shocked in a war. The scene where I hunt
down Dyson, the inventor of the Skynet computers, was rough emotionally because it was poorly designed
from the acting standpoint. We filmed it over five days, and by the end, my performance was not very
fresh."
Did you ad-lib lines to keep your performance fresh?
"Once during shooting , I asked Jim for a small line change, and he just froze. "What the f**k are
you talking about?" he said. "Don't mess with my words!" I remember thinking, "He's going off!" Turns
out he was just teasing me, but I didn't realize it at the time."
Cameron is not an easygoing director. His demands are legendary, and his motto "That's perfect;
do it again!" is an industry classic.
"He's not very popular with some people, but there's a lot of talent behind his toughness. On the first
film, I didn't trust him. But when I saw the picture, I realized he was a visionary. This time, I worked
with him a lot before filming began; that way, I didn't have to compete for his attention along with
190 other people. Because I gave him what he wanted, we had relatively few problems. I also appreciate
Jim because his films use strong female characters - there are definitely not enough of them on screen.
In the original, I'm on the verge of being a legend: here, I am the legend - a crazy warrior woman with
little sanity and less hope. It was a scary challenge to pull Sarah off right."
With T2's cost reported at 100 times your $1-mil salary, the challenge to make the film a boxoffice
blockbuster must have also been formidable.
"Actually, the shoot seemed more relaxed than the original, which had a small budget, about $6 million.
Back then, the execs would come on set and say, "If you shoot one more scene in the future, we'll wrap
you right now!" It was horrible! On T2, there must have been some seriously worried people, but I never
felt their impact."
Neither did Arnold Schwarzenegger, who was much more relaxed on the set than Cameron.
"I didn't work with Arnold much on the first film - he was usually on one unit while I'd be on another
- but on both projects he was always pleasant and professional. I like lean, angular looks, not pumped
up muscles. So this time he was also physically appealing: smaller, but still larger than life."
You also felt an offscreen bond with Eddie Furlong, who plays Sarah's son John.
"I'm very maternal. Since he's only 13, there were times when I just went, "Focus, Eddie, focus!" I
was in his face just as Sarah would be, and I don't think he knew what to make of me. I was hard on him,
but he was a true, little champ."
Not all your good work made it into the release print, though.
"Right. There was one scene when Sarah, who originally wants to kill Schwarzenegger's Terminator,
allows John to stay with him while she goes to execute Dyson. But the film was too long, so they cut
the scene. Still, it had some great cinematography, and it featured my real-life identical twin sister,
Leslie Gearren, who's a nurse in New Jersey. She played my mirror reflection, and we imitated each other's
moves. It was wild, and no one would have known how it was done."
Now that Terminator saga is apparently over - on set you popularized the slogan "T3 without me," with
which Cameron agrees, even though Schwarzenegger warns, "Never say never" - what's next? Perhaps a brief
return to the stage, where you were trained.
"Because I've done so little theatre in recent years, I've gotten scared of it. It makes my heart pound.
So I guess I'll have to do it, maybe Shakespeare, a musical, or something zany."
Despite Beauty and the Beast's continued popularity, you've made it clear you'll never return to it.
"It's disturbing that people can't let things go, but enough is enough. I died doing that show - 48
mini-movies exactly the same. I wanted the characters to evolve, but the network always stuck with
the formula. Besides, I had a baby and wanted to be a good mother, which I couldn't do workin 16 hours
a day. So, as valuable as the experience was, I needed to move on. Repition is really something in which
I have no interest. The same is true in film. Most of my pictures have been action-adventures - not many
of them have been good. So I'm looking for a new direction, even though I love the gut instinct and
on-your-feet thinking required for action movies. I'd love to make a female western, but I also like
comedy. I'm going to get a lot of offers for Terminator imitations, but I'd rather prove what else I
can do."
Could T2 typecast you forever?
"Maybe, but I'm happy with where I am. Whatever happens, I'm sure I'll be happier as time progresses.
I've never had any difficulty being a woman in the business, and I've never been approached on the
couch-casting level. Like everybody else, I get caught up in the craziness of the business. Then I
spend two minutes sitting on the floor playing with the baby, and I'm right back where I need to be.
The last few years have been hard - I've been very, very alone. But the role of Sarah has helped me
economize emotionally and keep my eyes on target, no matter how difficult the task. It's real awakening
to realize that life is about hard work, so you'd better enjoy it. I know it's a foolish thing to say,
but after T2, I don't think anything can hurt me."
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Last modified: Feb 04 2008
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